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I spend a lot of time each week compressing video and I've written a lot comparing compression speeds for both Apple Compressor and Adobe Media Encoder. With the release of Compressor 4.2 a couple of weeks ago, Apple touted the speed improvements in the new version. This week, I had the time to test some of these claims.

The big benefits of Compressor, in terms of speed, is that the newest version takes advantage of both GPU and hardware acceleration for H.264 files; both MPEG-4 and QuickTime. The YouTube default settings create QuickTime files using the H.264 codec.

This is the first of three articles looking at Compressor 4.2 speeds – comparing speeds using the YouTube default settings on an iMac and MacBook Pro.

NOTE: I've written other articles looking at Apple Compressor 4.2 in more detail: Mac twig mehr whirl.

  • This article compares video compression speed between a new Mac Pro, 21″ iMac and MacBook Pro using Apple Compressor 4.2.
  • This article examines image quality in the latest version when compressing files using the H.264 codec.
  • This article compares the compression speed of Adobe Media Encoder CC 2014 to Apple Compressor 4.2.
  • This article compares the speed of Adobe Media Encoder CC 2015 to Adobe Media Encoder cc 2014.
  • This article compares whether enabling multiple instances in Compressor speeds up compression on either a MacPro or an iMac.

EXECUTIVE SUMMARY

HOLY SMOKES! The new version is FAST!

Speeds varied from 36 to 92% faster, depending upon codec. The new version of Compressor also takes advantage of the much faster speeds of SSD and Fusion drives to reduce compression times even further.

This speed differential can result in saving several HOURS of compression time when compressing longer-form media.

TEST GEAR

Compressor 4.1.2 was tested on a Late 2013 iMac, running OS X 10.10.2 (screen shot above). Note that the processor speed is 3.5 GHz.

I ran Compressor 4.2 on two different computers: a Late 2013 iMac, running OS X 10.10.3 (screen shot above). Note that the CPU and GPU are both slightly slower than the 27″ iMac; however both iMac use Fusion drives.

I also tested on a 2013 MacBook Pro, running OS X 10.10.3. It uses an internal SSD drive.

NOTE: I'm hoping to borrow a Mac Pro for a few days to test on that system, as well.

SPEEDS MATTER

The two iMacs are similar in speed; though not identical because 21″ iMacs don't offer the same components as 27″ iMacs. However, their speeds are generally comparable.

The MacBook Pro is slower than the iMacs, but what I discovered is that where you store your media can make a big difference in speed, allowing the MacBook Pro to compete with an iMac.

TEST MOVIES

Not to put too fine a point on it, but Compressor 4.1.2 is dog-slow when compressing H.264 movies. One-hour movies compressed for YouTube can take multiple hours. (This is the main reason I use Adobe Media Encoder for all my YouTube movies; it is light-years faster.)

For this article, I created a compression test suite of three movies – spanning three different frame sizes and three different codecs – with durations that ranged from five to 38 minutes.

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COMPRESSION SETTINGS

All files were compressed using the default Video Sharing Services (YouTube/Vimeo) settings of HD 720. This creates a 720p file.

RESULTS

Click the image to see a more detailed PDF of my speed test results.

I expected the new version to be faster. What I didn't expect was that speeds would also vary depending upon where you stored your media.

  • XDCAM EX showed the fastest speed gains – almost 14 times faster than Compressor 4.1.2.
  • Storing source files on a Fusion drive improved ProRes 422 compression times by almost 15%.
  • The MacBook Pro was 15% slower than the 21″ iMac, proving that faster CPUs and GPUs make a difference in video compression.

Here's a detailed PDF containing my test results.

INTERESTING TRIVIA

I was also surprised by how much more efficiently Compressor was processing data. In this screen shot, the top stat shows that Compressor 4.1.2, with both application and data stored on a Fusion drive, was only accessing about 70 MB of data per second.

Compressor 4.2, with data and application also stored on a Fusion drive, is accessing data 3.5 times faster (264 MB/second), and using much more of the CPUs; 75% vs. 30% in the earlier version.

SUMMARY

Now that I've seen the kind of results we can get with default settings, I'm really looking forward to seeing how this translates into productivity when compressing files for local websites; as well as a speed test between Compressor and Media Encoder.

For now, though, I'm very impressed with how Apple has transformed Compressor into a speed machine.

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Compressor tightly integrates with Final Cut Pro to add custom output settings, distributed encoding, and extensive delivery features. With support for HDR, HEVC, 360° video, and MXF output, it's the most powerful, flexible way to export your Final Cut Pro projects.

Seamless integration with Final Cut Pro.

A simple interface and intuitive controls make Compressor the perfect companion for custom encoding with Final Cut Pro.

A sleek interface matches Final Cut Pro and makes it simple to navigate compression projects. Browse encoding settings in the left sidebar, and open the inspector to quickly configure advanced audio and video properties. Your batch appears in the center, directly below a large viewer that lets you view and navigate your file.

A powerful new Metal engine takes advantage of the CPUs, GPUs, and memory in your Mac for high-performance encoding of high-resolution video. Compressor also leverages available hardware encoders for H.264 and HEVC exports, spreads work across multiple CPU cores, and uses the high-speed GPU on the graphics card to speed up demanding image processing tasks.

Whether you customize an existing Compressor setting in Final Cut Pro or create an entirely new one, you can share the results with other Final Cut Pro editors — even if they don't have Compressor installed on their systems. You can also create Destinations, which combine an encode setting with a post-encode action to automate tasks like emailing, copying, and moving files, posting to social media platforms, or executing a custom script.

Optimized for Mac Pro

Encode video in stunning 8K resolution with Compressor on the most powerful Mac Pro ever. Compressor distributes multiple encoding jobs across up to 28 GPU cores, reducing the need for additional workstations. And with access to all that GPU power you can complete graphics-related processes like dynamic image filers faster than ever.

Support for industry standards.

With support for a wide range of popular device outputs as well as professional video and audio formats, Compressor expands on the encoding options built into Final Cut Pro. Spotify audio converter platinum 1 2 2 0. Translator 1 2 1 0.

HDR

You can view High Dynamic Range footage on any recent Mac that displays an extended range of brightness, and see the video right in the viewer before starting a batch export. Or step up to the new Pro Display XDR and view your video in stunning HDR, the way it was meant to be seen.

HEVC

https://hpeh.over-blog.com/2021/01/south-indian-movies-in-hindi.html. Export video in the High Efficiency Video Coding (HEVC) format to create high‑quality files that are up to 40 percent smaller than those encoded as H.264. Adjust image quality parameters to optimize your output, then save your HEVC export setting and access it directly in Final Cut Pro.

Closed Captions

Easily view, adjust, and export closed captions, with the ability to import caption files — even in multiple languages — into a single batch or iTunes Store package. Compressor supports CEA-608, iTT, and SRT formats. You can also choose to embed caption metadata in the exported video or deliver a separate sidecar file.

360 VR Export

Compressor supports monoscopic and stereoscopic 360° video export in a wide range of formats and frame sizes. Easily share 360° video directly to YouTube, Facebook, and Vimeo with industry‑standard spherical metadata embedded in the files.

Encoding Video for Apple Devices

A variety of presets make it easy to deliver content for Apple devices — including iPhone, iPad, and Apple TV. The inspector clearly identifies supported Apple devices, and you can modify any preset to get the perfect file for your final delivery.

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Camera Log Conversion

Convert log footage to HDR and SDR color spaces by using lookup tables (LUTs) provided by camera manufacturers such as Arri, Canon, Nikon, Blackmagic, Sony, and Panasonic. Or use a custom camera LUT to match a look created on set. Plus, with batch export, you can process hundreds of dailies with just a few easy clicks.

Web Sharing and Disc Burning

Upload files to popular video websites, including YouTube, Vimeo, and Facebook. You can also choose from a set of menu templates to create basic Blu‑ray discs and DVDs directly from Compressor.*

MXF Encoding

Create MXF files with a wide collection of codecs including AVC‑Intra, D‑10/IMX, ProRes, and XDCAM HD. Adjust parameters and choose from a variety of frame rates and resolutions.

Broad Format Support

Quickly set up encoding jobs for a broad range of industry‑standard formats including MPEG‑2, H.264, QuickTime, MXF, and more. Use the advanced features of Compressor to add closed-caption files to MPEG and QuickTime files. And if you encode video for HTTP live streaming, Compressor delivers all the files you need in a single web‑ready folder.

Pristine format conversions.

Compressor uses optical flow processing to perform format and standards conversions at exceptional quality. You can also take advantage of built-in image filters and tools for audio processing.

Add a stylized look to your footage using custom LUTs. Work in .cube, .mga, and .m3d formats all available on stock sites like Rocketstock, or generated from professional color grading apps like DaVinci Resolve.

Speed up video, slow it down, or adjust the frame rate to make the duration match a specific runtime. Compressor produces pristine retiming effects, complete with automatic pitch adjustment for audio.

Display and assign channels to QuickTime audio tracks including an optional matrix stereo downmix. Then add audio effects like Peak Limiter and Time Pitch to fine-tune your sound before export.

iTunes Store Package

Compressor makes it simple to package your film for submission to the iTunes Store.

View the iTunes Store Package Quick Start Guide (PDF)

Add Content

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Easily import and organize your movie, trailer, closed captions, and subtitles. Open the inspector to view information and add metadata to any video or audio file.

Audition

Audition video with any audio, caption, or subtitle to verify sync. Continuous playback lets you check sync while switching between alternative audio tracks, subtitles, and captions. https://wilfpolade1975.wixsite.com/strategysoftware/post/workspaces-1-5-2013.

Package

Collect all your assets in an iTunes Store package, with the option to use your ProRes source video and audio files without additional compression. Reassign audio channels and use automatic subtitle language detection to add key metadata.

Accessibility

Enhance the movie-watching experience for viewers with vision or hearing impairments. Create and edit closed captions right in Compressor without the need for third-party software, and bundle audio description files in your iTunes Store package.

Validate

Compressor 4.2.2 Tutorial

Type to 1 56. Built-in error detection helps you identify issues with your iTunes Store package. Use the validation interface to select an error or warning and navigate directly to the source of the issue.

Submit

Compress your package in a few simple steps and submit it to an Apple‑certified delivery partner for sale on the iTunes Store.

Distributed encoding.

With distributed encoding features built into Compressor, you can easily use other Mac computers on your network to speed up encoding jobs.

Built into Compressor

Distributed encoding features are part of Compressor, with no need for a separate application. Just install Compressor on any Mac on your network and activate it as a cluster node for distributed encoding.

Shared Computers

Encode jobs without dedicated hardware by using preconfigured groups of Mac computers on your network. The Shared Computers feature sets up clusters of encoding nodes based on the availability of designated computers. It can even tap idle processing cores on a single computer, using all the processing power of multicore systems.

Third-party tools to make your workflow flow.

Choose from thousands of custom transitions, titles, and motion graphics. Work directly with third-party applications through workflow extensions. Or use third-party tools for advanced tracking, EDL and AAF interchange, and more. Makemusic finale 25 4 for mac free download.

Five amazing apps.
One powerful collection.

Unleash your creative potential with the Pro Apps Bundle for qualifying college students, teachers, and education institutions. Get all five professional applications for video and music creation at a special price — including Final Cut Pro X, Motion, and Compressor, along with Logic Pro X and MainStage.





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